The Jungle Book|ą“ą“ą“ą“æąµ¾ ą“¬ąµą“ąµą“ąµ
ą“ą“ą“ą“æąµ¾ ą“¬ąµą“ąµą“ąµ
ą“±ąµą“”ąµą“Æą“¾ąµ¼ą“”ąµ ą“ą“æą“Ŗąµą“²ą“æoą“ąµ
ą“Ŗą“°ą“æą“ą“¾ą“· : ą“Ŗą“æ ą“øąµą“®
ą“ą“¾ą“ą“æą“Øąµą“±ąµ ą“¹ąµą“¦ą“Æą“ą“¾ą“ą“¤ąµą“¤ąµ ą“ąµą“Øąµą“Øą“¾ą“Æąµą“ąµą“ąµ¾ ą“ą“ąµą“¤ąµą“¤ąµą“µą“³ąµ¼ą“¤ąµą“¤ą“æą“Æ ą“®ąµą“ąµą“²ą“æą“Æąµą“Øąµą“Ø ą“®ą“Øąµą“·ąµą“Æą“ąµą“ąµą“ą“æą“Øąµą“±ąµ ą“ą“„. ą“ą“¾ą“ąµą“ą“æą“²ąµ ą“Øą“æą“Æą“®ą“ąµą“ąµ¾ą“ąµą“ąµ ą“ąµą““ą“æą“²ąµą“¤ąµą“¤ą“æą“Ŗąµą“Ŗąµą“ąµą“Øąµą“Ø ą“®ąµą“ąµą“²ą“æ ą“ą“ą“Øąµą“Øąµ ą“Ŗąµą“ąµą“Øąµą“Ø ą“¹ąµą“¦ą“Æą“øąµą“Ŗąµ¼ą“¶ą“æą“Æą“¾ą“Æ ą“øą“¾ą“¹ą“ą“°ąµą“Æą“ąµą“ąµ¾. ą“²ąµą“ą“¤ąµą“¤ą“æą“²ąµą“±ąµą“±ą“µąµą“®ą“§ą“æą“ą“ ą“µą“¾ą“Æą“æą“ąµą“ą“Ŗąµą“Ŗąµą“ąµą“ ą“Ŗąµą“øąµą“¤ą“ą“ąµą“ą“³ą“æą“²ąµą“Øąµą“Øąµą“Øąµą“Øąµ ą“Øą“æą“øąµą“øą“ą“¶ą“Æą“ ą“Ŗą“±ą“Æą“¾ą“µąµą“Øąµą“Ø āą“ą“ą“ą“æąµ¾ ą“¬ąµą“ąµą“ą“æā ą“Øąµą“±ąµ ą“®ą“²ą“Æą“¾ą“³ ą“µą“æą“µąµ¼ą“¤ąµą“¤ą“Øą“. ą“µą“æą“µąµ¼ą“¤ąµą“¤ą“ą“Æąµą“ąµ ą“²ą“³ą“æą“¤ą“®ą“¾ą“Æ ą“ą“¾ą“·ą“Æą“æą“²ąµą“ ą“µąµą“Æą“¤ąµą“Æą“øąµą“¤ą“®ą“¾ą“Æ ą“
ą“µą“¤ą“°ą“£ą“¤ąµą“¤ą“æą“²ąµą“ ą“¤ą“Æąµą“Æą“¾ą“±ą“¾ą“ąµą“ą“æą“Æą“æą“°ą“æą“ąµą“ąµą“Øąµą“Øąµ. ą“ąµą“ąµą“ą“æą“ąµ¾ą“ąµą“ąµo ą“®ąµą“¤ą“æąµ¼ą“Øąµą“Øą“µą“°ąµą“ąµą“ąµą“ ą“ą“°ąµą“Ŗąµą“²ąµ ą“Ŗąµą“°ą“æą“Æą“ąµą“ą“°ą“®ą“¾ą“ąµą“Øąµą“Ø ą“Ŗąµą“øąµą“¤ą“ą“.
THE ROAd TO KABUL|ą“¦ą“æ ą“±ąµą“”ąµ ą“ąµ ą“ą“¾ą“¬ąµąµ½
ą“®ą“²ą“Æą“¾ą“³ą“æą“ą“³ąµą“ąµ ą“Æą“¾ą“¤ąµą“°ą“¾ ą“µą“¾ą“Æą“Øą“Æą“æąµ½ ą“
ą“§ą“æą“ą“ ą“ą“ą“Øąµą“Øąµą“µą“Øąµą“Øą“æą“ąµą“ą“æą“²ąµą“²ą“¾ą“¤ąµą“¤ ą“ą“°ąµ ą“°ą“¾ą“ąµą“Æą“. ą“
ą“µą“æą“ą“¤ąµą“¤ąµ ą“®ąµą“Øąµą“Øąµ ą“Ŗąµą“°ą“øą“æą“¦ąµą“§ą“®ą“¾ą“Æ ą“
ą“«ąµą“ą“¾ąµ» ą“Øą“ą“°ą“ąµą“ąµ¾ -ą“¹ąµą“±ą“¾ą“¤ąµą“¤ąµ, ą“ą“¾ą“£ąµą“”ą“¹ą“¾ąµ¼, ą“ą“¾ą“¬ąµąµ¾. ą“®ą“Øąµą“¹ą“°ą“µąµą“ ą“ą“¦ąµą“µąµą“ą“ą“Øą“ą“µąµą“®ą“¾ą“Æą“¾ą“£ąµ ą“ ą“Æą“¾ą“¤ąµą“°ą“ą“³ąµ ą“Ŗą“±ą“ąµą“ąµą“Ŗąµą“ąµą“Øąµą“Øą“¤ąµ. ą“øąµą“µą“æą“Æą“±ąµą“±ąµ - ą“
ą“®ąµą“°ą“æą“ąµą“ąµ» ą“ą“¾ą“²ą“ą“ąµą“ą“ ą“®ąµą“¤ąµ½ ą“Øą“ąµą“¬ąµą“³ąµą“³ą“Æąµą“ ą“¤ą“¾ą“²ą“æą“¬ą“¾ą“Øąµą“ ą“µą“°ąµą“Æąµą“³ą“³ ą“
ą“«ąµāą“ą“¾ąµ» ą“ą“°ą“æą“¤ąµą“°ą“ ą“ ą“Ŗąµą“øąµą“¤ą“ą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“Ŗąµą“°ą“¤ąµą“Æąµą“ą“¤ą“Æą“¾ą“£ąµ. ą“øą“ąµą“ą“°ą“æą“ąµą“ą“¾ąµ» ą“ą“¤ąµą“Ŗąµą“²ąµą“°ąµ ą“°ą“¾ą“ąµą“Æą“ ą“¤ą“æą“°ą“ąµą“ąµą“ąµą“¤ąµą“¤ąµ ą“ą“Øąµą“Øą“¤ą“æąµ½ ą“¤ąµą“ą“ąµą“ąµą“Øąµą“Ø ą“ąµą“¤ąµą“ą“ ą“ą““ąµą“¤ąµą“¤ą“æą“²ąµą“ ą“ąµą“£ąµą“ąµą“µą“°ą“¾ąµ» ą“«ą“¹ąµą“®ą“æą“Øąµ ą“øą“¾ą“§ą“æą“ąµą“ą“æą“ąµą“ąµą“£ąµą“ąµ. ą“¤ąµąµ¼ą“ąµą“ą“Æą“¾ą“Æąµą“ ą“®ą“²ą“Æą“¾ą“³ą“æ ą“ą“ąµą“°ą“¹ą“æą“ąµą“ąµą“Øąµą“Øąµą“°ąµ ą“Ŗąµą“øąµą“¤ą“ą“®ą“¾ą“Æą“æą“°ą“æą“ąµą“ąµą“ 'ą“¦ą“æ ą“±ąµą“”ąµ ą“ąµ ą“ą“¾ą“¬ąµąµ¾.'
-ą“®ąµ»ą“øąµąµ¼ ą“
ą“¹ą“®ąµą“®ą“¦ąµ
THE SHADOWFIRE PROPHESY
āTwenty generations after Prince Ali harnessed the power of the Keystone to bring peace to the land, his descendant Eira sets out on a perilous quest to uncover the truth about the ancient relic. As she navigates treacherous landscapes and confronts formidable foes, Eira must face her own destiny and the legacy of her ancestor. With the Keystoneās power waiting to be unleashed once more, Eira must prove herself worthy of Prince Aliās legacy and claim her rightful place as the guardian of the Keystone."
The Soule of the Desert
'
The 31 brief, if pithy, chapters of the book narrate the life of Prophet Muhammad in verse. The book aims to help students and readers of young age memorise and internalize the facts and facets of the glorious life of the Messenger. This will help grown-ups as well, since it throws light on various aspects and episodes on the 'gem of the desert' in simple words. The Messenger and the men and women around the Messenger have been sketched so vividly in the book that it will add to the understanding and pondering about a great life and the people, landscape and belief influenced by that life. We hope this biography of the Prophet in verse will contribute to the rich literary tradition of singing about Muhammed (Peace be upon Him) throughout the Muslim world.
THE UNBEARABLE SLANT OF LIGHT
Blurb
The Unbearable Slant of Light is a luminous meditation on loss, memory, and the tender craft of healing. Through five sections: Breaking, Memory & Mourning, Home & Exile, Echoes & Endings, and Rebirth & Healing, the poet traces the quiet pilgrimage of a soul learning to live with its wounds.
In verses both intimate and haunting, and deeply human, the collection explores how grief transforms into grace and the remnants of sorrow become seeds of renewal. Every poem bears witness to survival, to the ache and tenderness of remembering, and to the slow return of light: unbearable, yet saving.
Unmathi|ą“ą“Øąµą“®ą“¾ą“¦ą“æ
ą“ąµą“°ą“¾ą“Øąµą“¤ą“°ą“æąµ½ ą“ąµą“°ą“¾ą“Øąµą“¤ą“Øą“¾ą“Æ ą“µąµą“Æą“ąµą“¤ą“æ ą“ą“¾ą“Øą“²ąµą“². ą“
ą“Øąµą“Æą“µąµą“Æą“ąµą“¤ą“æą“ą“³ąµą“ąµ ą“µą“æą“ą“¾ą“°ą“ąµą“ąµ¾ ą“ą“£ąµą“ąµą“¤ąµą“¤ą“æ ą“øą“¹ąµą“¦ą“Æą“°ąµą“ąµ ą“ąµą“£ąµą“ąµą“ą“³ą“æą“²ąµą“¤ąµą“¤ą“æą“ąµą“ą“¾ą“Øą“¾ą“µąµą“®ąµą“ąµą“ą“æą“²ąµą“ ą“ą“Øą“æą“ąµą“ąµą“Øąµą“±ąµ ą“®ą“¾ą“¤ąµą“°ą“ ą“µą“æą“ą“¾ą“°ą“ąµą“ąµ¾ ą“øąµą“·ąµą“ą“æą“ąµą“ą“¾ą“Øą“¾ą“µą“æą“²ąµą“². ą“ą“¾ą“·ą“Æąµą“ąµą“ąµ ą“ą“£ąµą“ąµą“¤ąµą“¤ą“¾ąµ» ą“ą““ą“æą“Æą“¾ą“¤ąµą“¤ ą“ą“ąµą“°ą“¹ą“ąµą“ą“³ą“¾ą“£ąµ ą“ąµą“°ą“¾ą“Øąµą“¤ą“Øąµą“±ąµą“¤ąµ. ą“
ą“¤ąµą“Øą“æą“ąµą“ąµ ą“ą“£ąµą“ąµą“¤ąµą“¤ą“æ ą“ą“µą“æą“·ąµą“ąµą“ą“°ą“æą“ąµą“ą“¾ąµ» ą“ ą“ąµą“°ą“¾ą“Øąµą“¤ą“Øą“æą“²ąµą“ąµ ą“ą““ą“æą“ąµą“ą“æą“ąµą“ąµą“£ąµą“ąµ. ą“ą“°ąµ ą“øąµą“Øąµą“¹ą“æą“¤ą“Øąµą“±ąµ ą“
ą“ąµą“¤ąµą“¤ą“æą“°ąµą“Øąµą“Øąµ ą“øą“ą“øą“¾ą“°ą“æą“ąµą“ąµą“Øąµą“Øą“¤ąµą“Ŗąµą“²ąµą“Æą“¾ą“£ąµ ą“ą“¾ą“· ą“ą“Ŗą“Æąµą“ą“æą“ąµą“ą“æą“°ą“æą“ąµą“ąµą“Øąµą“Øą“¤ąµ. ą“ą“°ąµ ą“ąµą“°ą“¾ą“Øąµą“¤ą“Øąµą“±ąµ ą“
ą“²ą“±ą“æą“ąµą“ą“°ą“ąµą“ą“æą“²ą“æą“Øąµ ą“Ŗą“ą“°ą“, ą“Æąµą“µą“¾ą“µą“æą“Øąµą“±ąµ ą“®ą“§ąµą“°ą“®ąµą“³ąµą“³ ą“ą“ą“ąµą“ąµą““ąµ½ ą“µą“æą“³ą“æą“Æąµą“ąµą“ąµą“±ą“æą“ąµą“ąµ ą“Ŗąµą“°ą“¤ą“æą“Ŗą“¾ą“¦ą“æą“ąµą“ą“¾ąµ» ą“¤ą“¾ą“ąµą“ąµ¾ą“ąµą“ąµą“Øąµą“¤ąµą“ąµą“£ąµą“ą“¾ą“µąµą“Øąµą“Øą“æą“²ąµą“² ą“ą“Øąµą“Ø ą“ąµą“¦ąµą“Æą“¤ąµą“¤ą“æą“Øąµ ą“ą“Øąµą“±ąµ ą“°ą“ą“Øą“ą“³ą“æąµ½ ą“Øą“æą“Øąµą“Øąµą“¤ą“Øąµą“Øąµ ą“ą“¤ąµą“¤ą“°ą“ ą“Øą“æą“Øą“ąµą“ąµ ą“ą“£ąµą“ąµą“¤ąµą“¤ą“¾ą“Øą“¾ą“µąµą“
Vakukalilude|ą“µą“¾ą“ąµą“ąµą“ą“³ą“æą“²ąµą“ąµ
ą“ą“°ąµ ą“µą“¾ą“ąµą“ąµą“ ą“ą“°ąµ ą“ąµą“µą“Øą“¾ą“£ąµ.
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ą“Øąµą“ą“µą“ąµą“ą“³ąµą“ąµą“Æąµą“, ą“ą“æą“Øąµą“¤ą“ą“³ąµą“ąµą“Æąµą“, ą“øąµą“µą“Ŗąµą“Øą“ąµą“ą“³ąµą“ąµą“Æąµą“ ą“¶ą“¬ąµą“¦ą“®ą“¾ą“£ąµ. ą“Ŗąµą“°ą“£ą“Æą“, ą“µąµą“¦ą“Ø, ą“Ŗąµą“°ą“¤ąµą“ąµą“· ą“¤ąµą“ą“ąµą“ą“æą“Æą“µą“Æą“æą“²ąµą“ąµ ą“Ŗą“æą“±ą“µą“æą“Æąµą“ąµą“¤ąµą“¤
ą“ą“µą“æą“¤ą“ąµ¾.
ą“ ą“ą“µą“æą“¤ą“ąµ¾ ą“ą“Øąµą“±ąµ ą“ąµą“µą“æą“¤ą“®ą“¾ą“£ąµ.
ą“µą“°ą“æą“ą“³ą“æąµ½ ą“°ą“ą“æą“ąµą“ą“Ŗąµą“Ŗąµą“ąµą“ąµ ą“ą“Øąµą“Øą“¤ą“æą“Øą“Ŗąµą“Ŗąµą“±ą“ ą“ą“¤ąµ ą“ą“°ąµ ą“µą““ą“æą“ą“¾ą“ąµą“ą“²ą“¾ą“£ąµ. ą“¤ą“Øąµą“±ąµ ą“µą“¾ą“ąµą“ąµą“ąµ¾ą“ąµą“ąµ ą“µą“æą“²ą“Æąµą“£ąµą“ąµą“Øąµą“Øąµ ą“ąµ¼ą“®ąµą“®ą“Ŗąµą“Ŗąµą“ąµą“¤ąµą“¤ą“¾ąµ» ą“ą“°ąµ ą“ą“µą“Æą“¤ąµą“°ą“æą“ąµą“ąµą“ ą“ą“¤ąµ ą“ą“°ąµ ą“ąµą“±ą“æą“Æ ą“Ŗąµą“°ą“ąµą“¦ą“Øą“®ą“¾ą“ąµą“®ąµą“Øąµą“Øąµ ą“ą“¾ąµ» ą“µą“æą“¶ąµą“µą“øą“æą“ąµą“ąµą“Øąµą“Øąµ. ą“
ą“ąµą“·ą“°ą“ąµą“ąµ¾ ą“ąµą“£ąµą“ąµ ą“µą“¾ą“ąµą“ąµą“ąµ¾ ą“ąµąµ¼ą“ąµą“ąµą“Øąµą“Øą“µąµ¼ą“ąµą“ąµą“, ą“µą“¾ą“ąµą“ąµą“ąµ¾ ą“ąµą“£ąµą“ąµ ą“ą“µą“æą“¤ą“ą“³ąµą“ ą“ą“„ą“ą“³ąµą“ ą“ąµąµ¼ą“¤ąµą“¤ąµ ą“µąµą“ąµą“ąµą“Øąµą“Øą“µąµ¼ą“ąµą“ąµą“ ą“ ą“Ŗąµą“øąµą“¤ą“ą“ ą“ą“°ąµ ą“ąµą“ąµą“ą“¾ą“ąµą“.
Women In The Prophetās Heart Ali Shariathi
Feminists, especially those who have studied Iranian intellectuals, have found it difficult to accept Shariatiās position on women. At a deeper level this difficulty can be seen, especially by an informed reader of this book, as a problem caused by the audience both of Shariati and feminists. With all their critiques, feminist critics, especially Laleh Bakhtiar, who has compiled, translated and edited the works of Shariati, have, however, realized the role of Shariati in the liberation of women.
Tr: Laleh Bakhtiar
ą“ ą“Øą“Øąµą“¤ą“°ą“ ą“ą“°ąµ ą“Ŗąµąµŗą“ąµą“ąµą“ą“æ ą“®ą“øąµą“ą“æą“¦ąµą“ąµ¾ ą“¤ąµą“ą“æ ą“Ŗąµą“±ą“Ŗąµą“Ŗąµą“ąµą“ąµ | Anantharam oru penkutty masjidukal thedi purapettu
ą“ą“°ąµ ą“®ąµą“øąµāą“²ą“æą“ ą“øąµą“¤ąµą“°ąµą“Æąµą“ąµ ą“ą“±ąµą“±ą“ąµą“ąµą“ ą“
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ą“¤ą“æąµ»ąµą“±ąµ ą“ą“¤ąµą“®ąµą“Æ ą“
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ą“Øąµą“ą“µą“®ą“¾ą“Æą“æą“°ą“æą“ąµą“ąµą“.
ą“ ą“Øąµą“°ą“¾ą“ą“²ąµą“²ą“ą“¾ą“¤ąµą“°ą“æ |ANURAGA LOLAGATHRI
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