111 Nadum Nadodi kadakal |111 ą“Øą“¾ą“ąµą“ ą“Øą“¾ą“ąµą“ą“æą“ąµą“ą“„ą“ą“³ąµą“
ą“Øą“¾ą“ą“æą“Øąµ ą“
ą“±ą“æą“ąµą“ąµą“ąµą“£ąµą“ąµ ą“Øą“¾ą“ąµą“ą“æą“ąµą“ą“„ą“ąµ¾ ą“µą“¾ą“Æą“æą“ąµą“ąµą“Øąµą“Øą“¤ąµ ą“®ąµą“¤ą“æąµ¼ą“Øąµą“Øą“µą“°ąµą“Ŗąµą“Ŗąµą“²ąµ ą“Øą“®ąµą“®ąµą“ąµ ą“ąµą“ąµą“ąµą“ąµą“ą“³ąµą“ ą“ą“·ąµą“ą“Ŗąµą“Ŗąµą“ąµą“Øąµą“Øąµ. ą“µą“æą“ąµą“ą“¾ą“Øą“ ą“Ŗą“ą“°ąµą“Øąµą“Øą“¤ąµą“ąµą“Ŗąµą“Ŗą“ ą“ąµą“¤ąµą“ą“¤ąµą“¤ąµą“ąµą“Æąµą“ ą“ą“±ąµ ą“°ą“øą“ą“°ą“®ą“¾ą“Æąµą“ 111 ą“Øą“¾ą“ąµą“ą“³ąµ, 111 ą“ą“„ą“ą“³ąµ ą“ ą“Ŗąµą“øąµą“¤ą“ą“¤ąµą“¤ą“æą“²ąµą“ąµ ą“Ŗą“°ą“æą“ą“Æą“Ŗąµą“Ŗąµą“ą“¾ą“. ą“µą“¾ą“Æą“Øą“Æąµ ą“¤ą“Øąµą“Øąµ ą“²ą“¹ą“°ą“æą“Æą“¾ą“ąµą“ą“¾ąµ» ą“ą“¤ąµ ą“®ą“¤ą“æ.
9-11 the Pretext
the beginning of creating a prominent myth in the international politics. If that myth has to exist, several sub-myths have to be created alongside. FBI and Mossad, the Israeli counterpart of CIA, are of the opinion that at least two years are needed to carry out an attack of the proportion of 9/11. Why did the British PMās dossier not give a single piece of evidence against the activities of Al Qaeda and Bin Laden? Why did it leave unsaid the putative role of the rightist militia which is responsible for the largest terror attack in the US?
Why did the government, rather than presenting a cementing proof, harp on the role of Bin Laden without even giving a hint on the rightists, although the latter deserved more suspicion than the former? The doubt lingered. Major news organisations in the US and UK including AP, AFP, Reuters, CNN, BBC, Fox News and C-Span never explained, or posed for that matter, the doubts on the dossier and other official versions of the 9/11. This book, by freelance investigative journalist NM Hussain, attempts to explore some unsaid mysteries behind 9/11.
A DREAM CLOSE TO DAWN
Some journeys lead us to destinations we never imagined, while others unfold like a script written in advance by fate. This novel brings together the dreams and love of a young man named Suhail, shaped by an unexpected turn of destiny.
As you read, think of Suhail not merely as a character, but as someone close to you, your own brother or a dear friend. Let him walk with you through these pages, sharing his moments of joy, pain, hope and sorrow.
A Memorandum for Historians on the Innocence of Ibn Majid
Many accounts have it that Ibn Majid is the man who guided Vasco da Gama from Africa to India. Sultan bin Muhammad al Qasimi, the eminent ruler of Sharjah, proves with sufficient evidence that the guide of Vasco da Gama was not Ahmed Ibn Majid, but a Gujarati who believed in a form of Christianity. The belief and geography of the person who was complicit in colonialism might not be relevant, though the innocence of Ahmed Ibn Majid in this context would deconstruct the argument for a Muslim connivance in the colonial project
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AKHORIKALUDE IDAYIL| ą“ ą“ąµą“°ą“æą“ą“³ąµą“ąµ ą“ą“ą“Æą“æąµ½
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ALANDAPAKSHI|ą“ą“³ą“¾ą“£ąµą“ą“Ŗą“ąµą“·ą“æ
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Ayyankali: Dalit Leader of Organic Protest
Pulayars, one of the many dalit communities in kerala, were ordered to keep at a distance of ninty-six steps away from a Brahmin, not allowed to cover themselves above the waist or below the knees, denied admission to public roads and subjected to endless oppression. Ayyankali (1863-1941), one of the foremost dalit leaders, challenged these brutal caste codes and uplift the community from the morass of humiliating torture. This book chronicles his organic protest in travancore and provides a critical analysis of the social reform movements in Kerala under the colonial rule.
Brahmana marxism|ą“¬ąµą“°ą“¾ą“¹ąµą“®ą“£ ą“®ą“¾ą“°ąµāą“ąµą“øą“æą“øą“
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Chandrika Charchitham|ą“ą“Øąµą“¦ąµą“°ą“æą“ ą“ąµ¼ą“ąµą“ą“æą“¤ą“
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ą“µą“¤ą“°ą“£ą“¤ąµą“¤ą“æą“²ąµą“ ą“ą“¾ą“·ą“Æą“æą“²ąµą“®ąµą“³ąµą“³ ą“²ą“¾ą“³ą“æą“¤ąµą“Æą“®ą“¾ą“£ąµ ą“ą“æ ą“øą“æą“Æąµą“ąµ ą“ą““ąµą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“Ŗąµą“°ą“¤ąµą“Æąµą“ą“¤. ą“ą“¤ąµ ą“Ŗąµą“°ą“¾ą“Æą“ąµą“ą“¾ąµ¼ą“ąµą“ąµą“ ą“®ą“ąµą“Ŗąµą“Ŗą“æą“²ąµą“²ą“¾ą“¤ąµ ą“ą“øąµą“µą“¦ą“æą“ąµą“ąµ ą“µą“¾ą“Æą“æą“ąµą“ą“¾ą“Øą“¾ą“µąµą“. ą“Øą“øąµąµ¼ ą“°ą“¾ą“®ą“Øąµą“¤ą“³ą“æą“Æąµą“ąµ ą“ą“¾ą“°ą“æą“ąµą“ąµą“ąµą“ą“±ąµą“ą“³ąµą“ ą“ą“Øąµą“¦ąµą“°ą“æą“ ą“±ą“øą“æą“”ą“Øąµą“±ąµ ą“ą“”ą“æą“±ąµą“±ąµ¼ ą“²ąµą“ąµą“®ą“¾ąµ» ą“®ą“¾ą“®ąµą“Ŗą“ą“æą“Øąµą“±ąµ āą“ą“¾ą“ą“¦ąµą“®ą“æą“²ąµą“²ą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“Ŗą“°ą“æą“ą“¾ą“·ą“ąµ»ā ą“ą“Øąµą“Ø ą“ą“æ ą“øą“æą“Æąµ ą“ąµą“±ą“æą“ąµą“ąµą“³ąµą“³ ą“
ą“Øąµą“¬ą“Øąµą“§ą“µąµą“ ą“Ŗąµą“øąµą“¤ą“ą“¤ąµą“¤ąµ ą“ą“ąµą“±ąµą“±ą“¤ąµą“¤ą“¾ą“ąµą“ąµą“Øąµą“Øąµ. ą“ąµą“±ąµą“¤ąµą“ąµą“ą“æą“²ąµą“, ą“®ąµą“øąµą“²ą“æą“ ą“²ąµą“ąµą“ ą“ą“Øąµą“¦ąµą“°ą“æą“ą“Æąµą“ ą“ą“±ąµą“±ą“µąµą“ ą“Ŗąµą“°ą“¤ą“æą“øą“Øąµą“§ą“æ ą“Øąµą“°ą“æą“ąµą“ą“¤ąµą“ ą“µą“³ąµ¼ą“ąµą“ ą“Ŗąµą“°ą“¾ą“Ŗą“æą“ąµą“ą“¤ąµą“®ą“¾ą“Æąµą“°ąµ ą“ą“¾ą“²ą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“øą“®ą“ąµą“° ą“ą“°ą“æą“¤ąµą“°ą“®ą“¾ą“£ą“æą“¤ąµ.
ą“”ąµ. ą“ą“ ą“ąµ ą“®ąµą“Øąµąµ¼
CHRONICLES OF 4ALLLIES
Four fearless friends embark on a perilous quest to close an ancient portal spewing darkness into their homeland. With the portal closed, they've saved their world - but at what cost? Their bond has been tested, and their lives forever changed. Will their bravery and friendship be enough to rebuild and heal, or will the shadows of their past haunt them forever?. Find out by joining their adventure
Chudukaneerilen jevithakadha
ą“Øą“¾ą“ ą“ą“£ąµą“ ą“ąµą“Øą“æą“Æą“øąµą“øą“¾ą“Æ ą“øą“ą“ąµą“¤ą“ąµą“ą“Øą“¾ą“Æą“æą“°ąµą“Øąµą“Øąµ ą“ą“ ą“ą“øąµ ą“¬ą“¾ą“¬ąµą“°ą“¾ą“ąµ. ą“ą“¤ąµą“°ą“Ŗą“±ą“ąµą“ą“¾ą“²ąµą“ ą“®ą“¤ą“æą“µą“°ą“¾ą“¤ąµą“¤ ą“ąµą“µą“æą“¤ą“®ą“¾ą“Æą“æą“°ąµą“Øąµą“Øąµ ą“¬ą“¾ą“¬ąµą“°ą“¾ą“ą“æąµ»ąµą“±ąµą“¤ąµ, ą“ą“¤ąµą“° ą“ąµą“ąµą“ą“¾ą“²ąµą“ ą“Ŗąµą“¤ą“æ ą“¤ąµą“°ą“¾ą“¤ąµą“¤ ą“
ą“¦ąµą“¦ąµą“¹ą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“øą“ą“ąµą“¤ą“ ą“Ŗąµą“²ąµ. ą“ą“¾ą“²ą“ąµą“ą“³ąµ ą“
ą“¤ą“æą“ąµą“µą“æą“ąµą“ąµą“Øąµą“Ø ą“øą“ą“ąµą“¤ą“µąµą“ ą“Æą“¾ą“¤ąµą“°ą“ą“³ąµą“ ą“
ą“µą“§ąµą“¤ą“Øąµą“Ŗąµą“Ŗąµą“²ąµ ą“¬ą“¾ą“ąµą“ą“æą“µąµą“ąµą“ąµ ą“Ŗąµą“Æ ą“ą“°ą“¾ą“³ąµą“ąµą“ąµą“±ą“æą“ąµą“ąµą“³ąµą“³ ą“ąµ¼ą“®ąµą“®ą“ąµ¾ ą“ą“ąµą“ąµą“®ąµą“¤ąµą“¤ą“æą“²ąµą“², ą“¤ąµą“°ąµą“ą“Æąµą“®ą“æą“²ąµą“².
ą“ą“¾ą“²ą“¾ą“¤ą“æą“µąµ¼ą“¤ąµą“¤ą“æą“Æą“¾ą“Æ ą“ą“ąµą“ą“Øą“µą“§ą“æ ą“ą“¾ą“µąµą“Æą“ą“¾ą“µą“Øą“ąµ¾ą“ąµą“ąµ ą“
ą“Øąµą“Ŗą“® ą“øą“ą“ąµą“¤ą“ ą“Ŗą“ąµ¼ą“Øąµą“Øąµ ą“Øąµ½ą“ą“æą“Æ ą“¬ą“¾ą“¬ąµą“°ą“¾ą“ąµ ą“ą“Øąµą“Ø ą“øąµ¼ą“ąµą“ą“µą“æą“øąµą“®ą“Æą“¤ąµą“¤ąµą“ąµą“ąµą“±ą“æą“ąµą“ąµ ą“
ą“¦ąµą“¦ąµą“¹ą“¤ąµą“¤ą“æąµ»ąµą“±ąµ ą“øąµą“¹ąµą“¤ąµą“¤ąµą“ąµą“ąµ¾ ą“Ŗą“±ą“ąµą“ ą“ąµ¼ą“®ąµą“®ą“ąµ¾.
ą“ą“°ąµ ą“Ŗą“ ą“Øą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“ą“¾ą“ą“®ą“¾ą“Æą“æ 2000 ąµ½ ą“Øą“ą“¤ąµą“¤ą“æą“Æ ą“µą“³ą“°ąµ ą“ąµą“±ą“æą“Æ ą“Æą“¾ą“¤ąµą“°ą“Æą“æąµ½ ą“²ą“ą“æą“ąµą“ ą“ąµ¼ą“®ąµą“®ą“ą“³ąµą“ąµ ą“Ŗą“°ą“æą“·ąµą“ąµą“ą“°ą“æą“ąµą“ ą“Ŗą“¤ą“æą“Ŗąµą“Ŗąµ.
- ą“ą“”ą“æą“±ąµą“±ąµ¼: ą“®ąµą“øąµāą“« ą“¦ąµą“¶ą“®ą“ą“ą“²ą“
Desheeyathakkoru Charithrapadam|ą“¦ąµą“¶ąµą“Æą“¤ą“Æąµ ą“ąµą“ąµą“°ąµą“ą“°ą“æą“¤ąµą“° ą“Ŗą“¾ą“ ą“m|
ą“¦ąµą“¶ąµą“Æą“¤
ą“Æąµ ą“ąµą“ąµą“°ąµ
ą“ą“°ą“æą“¤ąµą“° ą“Ŗą“¾ą“ ą“
ą“ąµ ą“ąµ ą“ąµą“ąµą“ąµ
ą“ą““ą“æą“ąµą“ąµ ą“Ŗąµą“Æ ą“ą“Øąµą“Øą“²ąµą“ą“³ąµą“ąµ ą“Øąµą“ąµą“µąµąµ¼ą“Ŗąµą“Ŗąµą“ąµ¾ ą“ą“°ąµ
ą“ą“£ąµ¼ą“¤ąµą“¤ąµą“Ŗą“¾ą“ąµą“ą“Æą“æ ą“ą“¾ą“¤ąµą“ą“³ą“æąµ½ ą“
ą“²ą“Æą“ą“æą“ąµą“ąµą“®ąµą“Ŗąµąµ¾
ą“ą“°ąµ ą“Ŗąµą“¤ą“æą“Æ ą“²ąµą“ą“¤ąµą“¤ąµ ą“Øą“ ą“øąµą“µą“Ŗąµą“Øą“ ą“ą“¾ą“£ąµą“Øąµą“Øąµ .
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ą“µą“æą“ąµ ą“Øą“¾ą“Øą“¾ą“¤ąµą“µą“¤ąµą“¤ą“æąµ½ ą“ą“ą“¤ąµą“µą“®ąµą“Øąµą“Ø
ą“®ąµą“ą“Øą“ą“¾ą“„ą“ą“³ą“¾ą“£ąµą“³ąµą“³ą“¤ąµą“ąµą“ą“æą“²ąµą“ ą“¬ąµą“°ą“¾ą“¹ąµą“®ą“£ą“¾ą“§ą“æą“Ŗą“¤ąµą“Æą“µąµą“
ą“ą“¾ą“¤ąµą“Æ ą“øą“®ą“µą“¾ą“ąµą“Æą“ąµą“ą“³ąµą“ ą“
ą“°ą“ąµą“ąµ ą“¤ą“ąµ¼ą“ąµą“ąµą“.
ą“øą“¾ą“®ąµą“¹ąµą“Æ ą“Ŗą“°ą“æą“·ąµą“ąµ¼ą“¤ąµą“¤ą“¾ą“ąµą“ąµ¾ ą“¤ąµą“³ą“æą“Æą“æą“ąµą“ ą“Ŗą“¾ą“¤ ą“Ŗą“æą“Øąµą“¤ąµą“ą“°ą“¾ąµ»
ą“ą“Øąµą“¤ąµą“ąµą“£ąµą“ąµ ą“ą“Øąµą“Øąµ ą“Ŗą“²ąµ¼ą“ąµą“ąµą“ ą“ą““ą“æą“Æąµą“Øąµą“Øą“æą“²ąµą“² .
ą“¦ą“³ą“æą“¤ą“°ąµą“ ą“Ŗą“æą“Øąµą“Øąµą“ąµą“ą“®ąµą“¦ą“¾ą“Æą“ąµą“ą“³ąµą“®ą“¾ą“Æą“æ ą“Ŗą“æą“Øąµą“¤ą“³ą“Ŗąµą“Ŗąµą“ąµą“ą“µą“°ąµą“ąµ
ą“°ąµą“¦ą“Øą“ąµą“ąµ¾ ą“ą“Øąµą“Øąµą“ ą“ąµąµ¾ą“ąµą“ąµą“Øąµą“Øąµ.
ą“ ą“ą“¤ąµą“®ą“°ąµą“¦ą“Øą“ąµą“ą“³ąµą“ąµ ą“Øąµąµ¼ ą“ą“æą“¤ąµą“°ą“ąµą“ąµ¾
ą“ą“Ŗąµą“Ŗąµą““ąµą“ ą“Øą“®ąµą“®ąµą“ąµ ą“ą“±ą“ąµą“ą“ ą“ąµą“ąµą“¤ąµą“¤ąµą“Øąµą“Øąµ
EPHEMERA
Ephemera is a collection of fleeting moments,fragile yet powerful, born from experiences that shaped her and emotions too deep to remain unspoken. Writing became her way of giving those feelings a voice, shaping them into words that could reach others.
Through these pages, she hopes readers will find pieces of themselves and be reminded that even the most passing emotions, when shared, can become a lasting source of strength and understanding.
Ezhilarazi|ą“ą““ą“æą“²ą“°ą“øą“æ
ą“µąµą“ąµą“ą“®ąµą“®ą“Æą“¾ą“Æ ą“±ą“¹ąµą“® ą“ą“°ą“æą“øą“Øą“ą“Ŗąµą“ąµą“ą“æą“Æą“æą“²ąµ āą“ą““ą“æą“²ą“°ą“øą“æā ą“Æą“¾ą“ąµą“Øąµą“Øą“¤ąµ ą“ą“Øąµą“¤ą“æą“Øą“¾ą“£ąµą“Øąµą“Ø ą“ą“ą“¾ą“ą“ąµą“· ą“ąµą“£ąµą“ąµą“¤ąµą“¤ą“æą“ąµą“ąµą“Øąµą“Øą“¤ąµ āą“øą“°ąµą“ą“øą“æā ą“ą“Øąµą“Ø ą“ą“æą“ą“æą“¤ąµą“øą“¾ą“®ą“¾ąµ¼ą“ą“¤ąµą“¤ą“æą“²ąµą“ąµą“ą“¾ą“£ąµ. ą“ąµą“ąµą“ąµą“ąµą“ą“³ą“æą“²ąµą“²ą“¾ą“¤ąµą“¤ ą“¦ą“®ąµą“Ŗą“¤ą“æą“ąµ¾ą“ąµą“ąµ ą“ąµ¼ą“ą“§ą“¾ą“°ą“£ą“¤ąµą“¤ą“æą“Øąµą“ ą“Ŗąµą“°ą“øą“µą“¤ąµą“¤ą“æą“Øąµą“®ą“¾ą“Æą“æ ą“ąµ¼ą“ą“Ŗą“¾ą“¤ąµą“°ą“ ą“µą“¾ą“ą“ą“Æąµą“ąµą“ąµ ą“ąµą“ąµą“ąµą“ąµą“£ąµą“ą“æ ą“µą“Øąµą“Ø ą“±ą“¹ąµą“® ą“
ą“¤ą“æą“²ąµą“ąµ ą“®ą“ąµą“ą“³ąµą“ąµ ą“ą“¾ą“µą“æ ą“øąµą“°ą“ąµą“·ą“æą“¤ą“®ą“¾ą“ąµą“®ąµą“Øąµą“Øąµ ą“ą“°ąµą“¤ąµą“Øąµą“Øąµ. ą“ ą“Ŗąµą“°ą“¤ąµą“ąµą“·ą“ąµ¾ ą“Ŗą“æą“Øąµą“Øąµą“ąµ ą“¦ąµą“°ą“Øąµą“¤ą“¤ąµą“¤ą“æąµ½ ą“ą“²ą“¾ą“¶ą“æą“ąµą“ąµą“®ąµą“Ŗąµą““ąµą“ ą“ąµą“µą“æą“ąµą“ą“¾ąµ» ą“§ąµą“°ąµą“Æą“Ŗąµą“Ŗąµą“ąµą“Øąµą“Ø ą“ą“„ą“¾ą“Ŗą“¾ą“¤ąµą“°ą“ąµą“ą“³ą“¾ą“Æą“æ ą“±ą“¹ąµą“®ą“Æąµą“ ą“·ą“ą“Øą“Æąµą“ ą“Ŗą“°ąµą“µą“Ŗąµą“Ŗąµą“ąµą“Øąµą“Øąµą“£ąµą“ąµ. ą“µą“¾ą“ą“ą“ąµ¼ą“ą“Ŗą“¾ą“¤ąµą“°ą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“øą“ąµą“ąµąµ¼ą“£ą“¤ą“ąµ¾ ą“
ą“µą“¤ą“°ą“æą“Ŗąµą“Ŗą“æą“ąµą“ąµą“Øąµą“Øą“¤ą“æą“Øąµą“Ŗąµą“Ŗą“ ą“²ą“µąµ ą“ą“æą“¹ą“¾ą“¦ą“æą“Øąµą“±ąµ ą“ąµ¼ą“ąµą“ą“ąµ¾ą“ąµą“ąµ ą“µąµą“¦ą“æą“Æą“¾ą“ąµą“Øąµą“Ø ą“ą“æ ą“µą“æ ą“ą“¾ą“Øą“²ąµą“ą“³ąµą“ ą“Øąµą“µą“²ą“æąµ½ ą“ą“¾ą“£ą“¾ą“.
ą“Ŗą“±ą“æą“ąµą“ąµą“Øą“ą“²ąµą“ą“³ąµą“ ą“Øą“æą“²ą“Øą“æąµ½ą“Ŗąµą“Ŗąµą“ą“³ąµą“ ą“ą“°ąµą“¤ąµą“¤ąµą“ąµą“Øąµą“Ø ą“ą“„ą“¾ą“Ŗą“°ą“æą“øą“°ą“.
FRAGMENT
When the world chose to feign ignorance, these poems stand in solidarity with the suffering of Palestine, a testament to the resilience of its people. A young girl's defiant cry against brutality, this collection weaves tender moments of love and loss, seeking solace in the divine. Each farewell leaves a lingering memory, and the rain reflects our longings. Divided into two sections, part protest, part prayer, the book weaves together two distinct yet interconnected narratives: one that bears witness to the struggles of Palestine and another that explores the universal themes of love, loss, faith, and mortality. Through lyrical language and poignant imagery, this collection bears witness to the beauty found in impermanence and the enduring spirit of Palestine
