SHADOW ACROSS THE DISTANCE
Aditya, a lively and outgoing woman from Kerala, never expected to fall for Vivek, a calm and reserved man from Mumbai. Their connection at a birthday party led to a beautiful long-distance relationship filled with laughter, late-night video calls, and surprise visits that keep their love alive. When Aditya decides to surprise Vivek in Mumbai, she envisions a perfect reunion. Instead, she stumbles upon a heartbreaking moment that leaves her shocked and devastated, questioning everything she thought she knew about Vivek. As emotions run high and misunderstandings grow, both must decide if their love can withstand the pain of a broken trust. Will they find their way back to each other, or is this the end of their story
SHAIKHUL ISLAM MOULANA ASSAYYID HUSAIN AHMAD MADANI RAHMATHULLAHI ALAIHI|ą“¶ąµą“ąµąµ½ ą“ą“øąµāą“²ą“¾ą“ ą“®ąµą“²ą“¾ą“Øą“¾ ą“ ą“øąµą“øą“Æąµą“Æą“æą“¦ąµ ą“¹ąµą“øąµąµ» ą“ ą“¹ąµ ą“®ą“¦ąµ ą“®ą“¦ą“Øą“æ (ą“±ą“¹ąµ)
ą“¶ąµą“ąµąµ½ ą“ą“øąµāą“²ą“¾ą“ ą“®ąµą“²ą“¾ą“Øą“¾ ą“
ą“øąµą“øą“Æąµą“Æą“æą“¦ąµ ą“¹ąµą“øąµąµ» ą“
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ą“®ą“¦ąµą“Øą“Æą“æą“²ąµ ą“Ŗą“°ą“æą“¶ąµą“¦ąµą“§ ą“®ą“øąµą“ą“æą“¦ąµą“Øąµą“Øą“¬ą“µą“æą“Æąµą“ąµ ą“¤ą“æą“°ąµą“®ąµą“±ąµą“±ą“¤ąµą“¤ąµ ą“µą“æą“ąµą“ą“¾ą“Øą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“Ŗąµą“°ą“ą“¾ą“¶ą“ ą“Ŗą“°ą“¤ąµą“¤ą“æą“Æ ą“Ŗą“£ąµą“”ą“æą“¤ ą“ąµą“Æąµą“¤ą“æą“øąµą“øąµ... ą“ą“¤ąµą“®ąµą“Æą“¤ą“Æąµą“ąµ ą“Øą“¾ą“²ąµ ą“®ą“¹ą“¾ą“§ą“¾ą“°ą“ą“³ąµ (ą“ą“¾ą“¦ą“æą“°ą“æą“Æąµą“Æ, ą“ą“æą“¶ąµą“¤ą“æą“Æąµą“Æ, ą“Øą“ąµāą“¶ą“¬ą“Øąµą“¦ą“æą“Æąµą“Æ, ą“øąµą“¹ąµāą“±ą“µąµ¼ą“¦ą“æą“Æąµą“Æ) ą“ą“³ąµą“³ą“æą“²ąµą“¤ąµą“ąµą“ą“æą“Æ ą“ą“¤ąµą“®ąµą“Æ ą“ąµą“°ąµ... ą“®ą“¾ąµ¾ą“ąµą“ą“Æą“æą“²ąµ ą“¤ą“ą“µą“±ą“ą“³ą“æąµ½ ą“¬ąµą“°ą“æą“ąµą“ąµą“·ąµ ą“øą“¾ą“®ąµą“°ą“¾ą“ąµą“Æą“¤ąµą“µą“¤ąµą“¤ą“æą“Øąµ ą“®ąµą“Øąµą“Øą“æąµ½ ą“Ŗą“¤ą“±ą“¾ą“¤ąµ ą“Øą“æą“Øąµą“Ø ą“Ŗąµą“°ą“¾ą“³ą“æ... ą“®ąµą“²ą“¾ą“Øą“¾ ą“¹ąµą“øąµąµ» ą“
ą“¹ąµāą“®ą“¦ąµ ą“®ą“¦ą“Øą“æ (ą“±) ą“ą“Øąµą“Ø ą“Øą“¾ą“®ą“ ą“ą“°ą“æą“¤ąµą“°ą“¤ąµą“¤ą“æąµ½ ą“
ą“ą“Æą“¾ą“³ą“Ŗąµą“Ŗąµą“ąµą“¤ąµą“¤ą“Ŗąµą“Ŗąµą“ąµą“ą“æą“°ą“æą“ąµą“ąµą“Øąµą“Øą“¤ąµ ą“øą“®ą“¾ą“Øą“¤ą“ą“³ą“æą“²ąµą“²ą“¾ą“¤ąµą“¤ ą“¤ąµą“Æą“¾ą“ą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“Ŗą“¾ą“¤ą“Æą“æą“²ą“¾ą“£ąµ.
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ą“¬ąµąµ½ ą“ą“²ą“¾ą“ ą“ą“øą“¾ą“¦ą“æą“Øąµ ą“Øą“æąµ¼ą“¦ąµą“¦ąµą“¶ą“æą“ąµą“ ą“ ą“²ą“¾ą“³ą“æą“¤ąµą“Æą“, ą“
ą“§ą“æą“ą“¾ą“° ą“°ą“¾ą“·ąµą“ąµą“°ąµą“Æą“¤ąµą“¤ą“æą“Øąµ ą“®ąµą“ą“³ą“æąµ½ ą“
ą“±ą“æą“µą“æą“Øąµ ą“Ŗąµą“°ą“¤ą“æą“·ąµą“ ą“æą“ąµą“ ą“µą“æą“Ŗąµą“²ą“µą“®ą“¾ą“Æą“æą“°ąµą“Øąµą“Øąµ.
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ą“±ą“¬ą“æą“ąµ¾ą“ąµą“ąµą“ ą“
ą“Øą“±ą“¬ą“æą“ąµ¾ą“ąµą“ąµą“ ą“ą“°ąµą“Ŗąµą“²ąµ ą“Ŗąµą“°ą“æą“Æą“ąµą“ą“°ą“Øą“¾ą“Æą“æą“°ąµą“Øąµą“Ø ą“
ą“¦ąµą“¦ąµą“¹ą“¤ąµą“¤ąµ 'ą“¶ąµą“ąµąµ½ ą“
ą“±ą“¬ą“æ ą“µąµ½ ą“
ą“ą“' ą“ą“Øąµą“Øąµ ą“²ąµą“ą“ ą“µą“¾ą““ąµą“¤ąµą“¤ą“æ. ą“ ą“§ą“Øąµą“Æą“ąµą“µą“æą“¤ą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“ą“°ą“æą“®ą“Æąµą“ ą“Ŗąµą“°ą“¾ą“ąµą“ą“µąµą“°ąµą“Æą“µąµą“ ą“
ą“Øą“¾ą“µą“°ą“£ą“ ą“ąµą“Æąµą“Æąµą“Øąµą“Ø ą“ą“°ąµ ą“
ą“®ąµą“²ąµą“Æ ą“ąµą“°ą“Øąµą“„ą“.
Sneham kamam branth|ą“øąµą“Øąµą“¹ą“ ą“ą“®ą“¾ą“ ą“ąµą“°ą“¾ą“Øąµą“¤ąµā
ą“ąµą“°ąµą“ąµą“ą“æą“Æą“ą“¾ą“²ą“ą“ąµą“£ąµą“ąµ ą“ą“°ąµą“²ą“ąµą“·ą“¤ąµą“¤ą“æą“²ą“§ą“æą“ą“ ą“ąµą“Ŗąµą“Ŗą“æą“ąµ¾ ą“µą“æą“±ąµą“±ą““ą“æą“ąµą“ ą“¦ąµą“µą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“ą“¾ą“°ą“Øąµą“®ą“¾ąµ¼ ą“ą“Øąµą“Ø ą“Ŗąµą“øąµą“¤ą“ą“¤ąµą“¤ą“æą“Øąµ ą“¶ąµą“·ą“ ą“ąµą“øą“«ąµ ą“
ą“Øąµą“Øą“ą“ąµą“ąµą“ą“æ ą“ąµą“øą“æą“Øąµą“±ąµ ą“ą“±ąµą“±ą“µąµą“ ą“Ŗąµą“¤ą“æą“Æ ą“Ŗąµą“øąµą“¤ą“ą“. ą“ą“³ąµą“³ą“æąµ½ ą“Ŗą“æą“±ą“µą“æą“Æąµą“ąµą“¤ąµą“¤ ą“ą“¶ą“Æą“ąµą“ą“³ąµ ą“Ŗą“ąµą“ą“Æą“¾ą“Æą“æ ą“
ą“µą“¤ą“°ą“æą“Ŗąµą“Ŗą“æą“ąµą“ąµą“Øąµą“Ø ą“ ą“Ŗąµą“øąµą“¤ą“ą“¤ąµą“¤ą“æą“²ąµ ą“ą“°ąµ ą“ą“„ą“ą“³ą“æą“²ąµą“Æąµą“ ą“ą“„ą“¾ą“Ŗą“¾ą“¤ąµą“°ą“ąµą“ąµ¾ ą“Øą“®ąµą“ąµą“ąµą“³ąµą“³ą“æą“²ąµą“³ą“³ą“µą“°ą“¾ą“ą“¾ą“, ą“Øą“®ąµą“ąµą“ąµ ą“Ŗąµą“°ą“æą“Æą“Ŗąµą“Ŗąµą“ąµą“ą“µą“°ą“¾ą“ą“¾ą“. ą“ą“¤ą“æą“²ąµ ą“ą“æą“² ą“ą“„ą“¾ą“Ŗą“¾ą“¤ąµą“°ą“ąµą“ą“³ąµ ą“Øą“æą“ąµą“ąµ¾ ą“Øąµą“ąµą“ąµą“ąµ ą“ąµąµ¼ą“¤ąµą“¤ąµą“ąµą“ą“¾ą“, ą“ą“æą“²ąµ¼ ą“Øą“æą“ąµą“ą“³ą“æą“²ąµ ą“ąµą“°ą“¾ą“Øąµą“¤ą“æą“Øąµ ą“ąµą“ąµą“ą“¾ą“Æą“æ ą“®ą“¾ą“±ą“æą“Æąµą“ąµą“ą“¾ą“, ą“ą“æą“²ą“°ąµą“ąµ ą“Ŗą“¾ą“¦ą“ąµą“ą“³ą“æąµ½ ą“µąµą“£ąµ ą“Øą“®ą“øąµāą“ą“°ą“æą“ąµą“ąµą“ąµą“ą“¾ą“, ą“®ą“±ąµą“±ąµ ą“ą“æą“²ą“°ąµ ą“Øą“æą“ąµą“ąµ¾ą“ąµą“ąµ ą“®ą“Øą“øąµą“øą“æą“²ą“¾ą“ą“¾ą“¤ąµ ą“Ŗąµą“Æąµą“ąµą“ą“¾ą“.
TAHRID – AHLIL IMAN ALA JIHADI ABDATI SULBAN
Tahrid ahlil Iman ala Jihadi Abdati Sulban was written by Sheikh Zainuddin 1, the grandfather of Sheikh zainuddin, author of Tuhfat al Mujahidin, arguably the first written history about Kerala. Written in the context of the Portuguese Invasion of Malabar, Tahrid is a poetic outburst of rancor at the event of colonialism couched in eschatological reference and expressing the tone and concern of a pamphleteer. The event of colonialism lies at the background of the book.
āāthe book will be much used, and valued, by Historians of Kerala, along with those studying the local reaction to the activities of the Portuguese in the sixteenth century, and those concerned with the Muslim diaspora spread all along the shores of the Indian Ocean. -Michael N Pearson.
Thavavirahakeshava|ą“¤ą“µą“µą“æą“°ą“¹ą“ąµą“¶ą“µ
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ą“·ąµą“ą“Ŗą“¦ą“æą“Æąµą“ ą“øąµą“Ŗą“¾ą“Øą“øą“ą“ąµą“¤ą“µąµą“ ą“®ąµą““ą“ąµą“ąµą“Øąµą“Ø ą“
ą“Øąµą“¤ą“°ąµą“ąµą“·ą“. ą“
ą“µą“æą“ąµą“Æą“¾ą“£ą“µą“°ąµą“ąµ ą“Ŗąµą“°ą“£ą“Æą“ ą“ą“°ąµą“µą“ą“ąµą“£ąµą“ą“¤ąµ. ą“ą“¤ąµ ą“ą“¤ąµą“®ą“¾ą“µąµą“ąµą“£ąµą“ąµą“ ą“®ą“Øą“øąµą“øąµą“ąµą“£ąµą“ąµą“ ą“ą“Øąµą“Øą“¾ą“Æą“µą“°ąµą“ąµ, ą“Ŗąµą“°ą“£ą“Æą“¤ąµą“¤ą“æą“²ą“²ą“æą“ąµą“ąµ ą“Ŗąµą“°ą“£ą“Æą“®ą“¾ą“Æą“æ ą“®ą“¾ą“±ą“æą“Æą“µą“°ąµą“ąµ ą“ą“„ą“Æą“¾ą“£ąµ; ą“¶ąµą“°ąµą“Øą“Øąµą“¦ą“Øą“Æąµą“ąµą“Æąµą“ ą“Øą“æą“°ą“ąµą“ą“Øąµą“±ąµą“Æąµą“ ą“ą“„, ą“
ą“ą“æą“Øą“µą“ąµą“·ąµą“£ą“Øąµą“±ąµą“Æąµą“ ą“°ą“¾ą“§ą“Æąµą“ąµą“Æąµą“ ą“ą“„. ą“
ą“Øą“¶ąµą“µą“°ą“®ą“¾ą“Æ ą“ ą“Ŗąµą“°ą“£ą“Æą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“Øą“æąµ¼ą“®ąµą“®ą“¾ą“²ąµą“Æą“Ŗąµą“ ą“
ą“µąµ¾ ą“Øą“æą“¤ąµą“Æąµą“Ø ą“¤ąµą““ąµą“¤ąµ, ą“¹ąµą“¦ą“Æą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“
ą“·ąµą“ą“Ŗą“¦ą“æą“Æą“¾ą“Æą“æ ą“
ą“µą“Øąµ ą“øąµą“µąµą“ą“°ą“æą“ąµą“ąµ. ą“ąµą“®ąµą“Ŗą“ąµą“ąµą“ą“¾ą“µą“æą“²ąµą“¤ąµą“¤ąµą“Øąµą“Ø ą“ą“Øąµą“§ąµ¼ą“µąµą“µą“Øąµ ą“ą“¾ą“¤ąµą“¤ą“æą“°ą“æą“ąµą“ąµą“Øąµą“Ø ą“ą“Øąµą“Æą“¾ą“¦ąµą“µą“æą“Æąµą“Ŗąµą“Ŗąµą“²ąµ ą“¶ąµą“°ąµą“Øą“Øąµą“¦ą“Øą“Æąµą“ ą“ą“¾ą“¤ąµą“¤ą“æą“°ą“æą“ąµą“ąµą“ą“Æą“¾ą“£ąµ. ą“ą“Øąµą“Øą“¾ąµ½ ą“ą“µą“æą“ą“ ą“Øą“Øąµą“¦ą“¾ą“µą“Øą“®ą“²ąµą“², ą“ ą“Ŗąµą“°ą“£ą“Æą“ ą“°ą“¾ą“§ą“¾ą“®ą“¾ą“§ą“µą“øą“®ą“¾ą“Øą“. ą“ą“¾ą“¤ąµą“¤ą“æą“°ą“æą“Ŗąµą“Ŗą“æą“Øąµą“±ąµ ą“ą“°ą“ą“æą“ąµ¾ą“ąµą“ąµą“ ą“Ŗąµą“°ą“£ą“Æą“¤ąµą“¤ą“æą“Øąµą“±ąµ ą“®ąµą“°ą“³ąµą“°ą“µą“¤ąµą“¤ą“æą“Øąµą“®ąµą“Ŗąµą“Ŗą“ ą“ą“®ąµą“Ŗą“¤ą“¾ą“ ą“
ą“·ąµą“ą“Ŗą“¦ą“æ ą“®ąµą““ą“ąµą“ąµą“Øąµą“Øąµ; 'ą“°ą“¾ą“§ą“æą“ą“¾ ą“¤ą“µ ą“µą“æą“°ą“¹ąµ ą“ąµą“¶ą“µ...'
The Book Of Truthfulness
Truthfulness
Abu Saāid al-Kharraz is a less-known Baghdadi mystic whose Kitab al-Sidq is a widely-known Sufi treatise popularised in the English speaking world chiefly through the translation of Arthur John Arberry titled āBook of Truthfulness.ā The importance of this treatise lies in the fact that it is the earliest systematic presentation of the theory of Sufi experience, written by a practising Sufi.
The Jungle Book|ą“ą“ą“ą“æąµ¾ ą“¬ąµą“ąµą“ąµ
ą“ą“ą“ą“æąµ¾ ą“¬ąµą“ąµą“ąµ
ą“±ąµą“”ąµą“Æą“¾ąµ¼ą“”ąµ ą“ą“æą“Ŗąµą“²ą“æoą“ąµ
ą“Ŗą“°ą“æą“ą“¾ą“· : ą“Ŗą“æ ą“øąµą“®
ą“ą“¾ą“ą“æą“Øąµą“±ąµ ą“¹ąµą“¦ą“Æą“ą“¾ą“ą“¤ąµą“¤ąµ ą“ąµą“Øąµą“Øą“¾ą“Æąµą“ąµą“ąµ¾ ą“ą“ąµą“¤ąµą“¤ąµą“µą“³ąµ¼ą“¤ąµą“¤ą“æą“Æ ą“®ąµą“ąµą“²ą“æą“Æąµą“Øąµą“Ø ą“®ą“Øąµą“·ąµą“Æą“ąµą“ąµą“ą“æą“Øąµą“±ąµ ą“ą“„. ą“ą“¾ą“ąµą“ą“æą“²ąµ ą“Øą“æą“Æą“®ą“ąµą“ąµ¾ą“ąµą“ąµ ą“ąµą““ą“æą“²ąµą“¤ąµą“¤ą“æą“Ŗąµą“Ŗąµą“ąµą“Øąµą“Ø ą“®ąµą“ąµą“²ą“æ ą“ą“ą“Øąµą“Øąµ ą“Ŗąµą“ąµą“Øąµą“Ø ą“¹ąµą“¦ą“Æą“øąµą“Ŗąµ¼ą“¶ą“æą“Æą“¾ą“Æ ą“øą“¾ą“¹ą“ą“°ąµą“Æą“ąµą“ąµ¾. ą“²ąµą“ą“¤ąµą“¤ą“æą“²ąµą“±ąµą“±ą“µąµą“®ą“§ą“æą“ą“ ą“µą“¾ą“Æą“æą“ąµą“ą“Ŗąµą“Ŗąµą“ąµą“ ą“Ŗąµą“øąµą“¤ą“ą“ąµą“ą“³ą“æą“²ąµą“Øąµą“Øąµą“Øąµą“Øąµ ą“Øą“æą“øąµą“øą“ą“¶ą“Æą“ ą“Ŗą“±ą“Æą“¾ą“µąµą“Øąµą“Ø āą“ą“ą“ą“æąµ¾ ą“¬ąµą“ąµą“ą“æā ą“Øąµą“±ąµ ą“®ą“²ą“Æą“¾ą“³ ą“µą“æą“µąµ¼ą“¤ąµą“¤ą“Øą“. ą“µą“æą“µąµ¼ą“¤ąµą“¤ą“ą“Æąµą“ąµ ą“²ą“³ą“æą“¤ą“®ą“¾ą“Æ ą“ą“¾ą“·ą“Æą“æą“²ąµą“ ą“µąµą“Æą“¤ąµą“Æą“øąµą“¤ą“®ą“¾ą“Æ ą“
ą“µą“¤ą“°ą“£ą“¤ąµą“¤ą“æą“²ąµą“ ą“¤ą“Æąµą“Æą“¾ą“±ą“¾ą“ąµą“ą“æą“Æą“æą“°ą“æą“ąµą“ąµą“Øąµą“Øąµ. ą“ąµą“ąµą“ą“æą“ąµ¾ą“ąµą“ąµo ą“®ąµą“¤ą“æąµ¼ą“Øąµą“Øą“µą“°ąµą“ąµą“ąµą“ ą“ą“°ąµą“Ŗąµą“²ąµ ą“Ŗąµą“°ą“æą“Æą“ąµą“ą“°ą“®ą“¾ą“ąµą“Øąµą“Ø ą“Ŗąµą“øąµą“¤ą“ą“.
The Niche for Lights Mishkat Al-Anwar
This treatise gives an intimate glimpse of the inner life and esoteric thought of Imam al-Ghazali. It begins where his autobiographical Deliverance From Error (Al-Munqidh min al-Dalal) leaves off. It basically expounds the celebrated Light verse (24:35) from the Qurāan and the subject of Veils from the hadith. These are further elaborated in three sections; one studying the various meanings of āLightā, the other on symbolic language in the Qurāan and Hadith and the final section concludes by applying the results of this symbology to the verse and hadith in question.